[PICS] Traditional day at work? Take inspiration from Janhvi Kapoor's printed kurta and pants combo

by Jeremy Spirogis
India's cleanest city for 4th consecutive time

Janhvi Kapoor will get papped on the airport& 

Even although she is only one movie outdated, Janhvi Kapoor has received thousands and thousands of hearts for causes a couple of. Apart from the variety of tasks that she is bagging again to again, the actress typically makes headlines for her airport and fitness center spottings. Within a brief span of time, Janhvi has turn out to be a millennial fashionista, who can rock any and every little thing with grace. 

Recently, the 22-year-old actress was papped on the airport and her ‘Punjabi kudi‘ avatar has left us floored. When papped by the shutterbugs, the stunner was seen carrying a maroon and cream colored printed kurta with matching straight pants with a stripe design and a dupatta to go along with it, which was topped with cute latkans.

Opting for silver jhumkas, Janhvi rounded off her look with a pair of juttis. Keeping her unkempt hair open, Janhvi regarded radiant sans make-up. 

Here, take a look at Janhvi Kapoor’s newest airport look:    

Isn’t Janhvi’s outfit simply good for a conventional day at work? Let us know your ideas within the remark part under. 

For her airport outings, Janhvi is usually seen carrying cozy conventional outfits. Check out her different seems to be right here: 

Janhvi Kapoor movies: 

Out of all of the star youngsters who’ve entered the showbiz lately, Janhvi is the busiest amongst them. The diva can be subsequent seen headlining the upcoming Gunjan Saxena biopic. Titled Gunjan Saxena: The Kargil Girl, the film may even characteristic Pankaj Tripathi and Angad Bedi in key roles. The movie is scheduled to hit the screens on April 24, 2020.

Janhvi has additionally teamed up with Rajkummar Rao for Hardik Mehta’s horror-comedy Roohi Afzana. The diva may even be that includes in Dostana 2 alongside Kartik Aaryan and debutant Lakshya. Not simply this, she has additionally bagged a key function in Karan Johar’s subsequent directorial, Takht

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