Pink Floyd: Was ‘The Phantom of the Opera’ Stolen From Them?

by Jeremy Spirogis
Pink Floyd: Was ‘The Phantom of the Opera’ Stolen From Them?

The Phantom of the Opera continues to be probably the most well-liked musicals ever. Its title music is without doubt one of the hottest songs within the historical past of musical theater. But did it originate with The Phantom of the Opera or Pink Floyd?

The music “The Phantom of the Opera” has an extremely memorable opening riff. It’s repeated a number of instances over the course of the musical. Roger Waters of Pink Floyd claims the monitor’s riff comes from one in every of his band’s songs.

A Pink Floyd live performance ticket | Donaldson Collection/Getty Images

The historical past of Pink Floyd’s ‘Echoes’ and ‘The Phantom of the Opera’

Pink Floyd’s 1971 album Meddle features a monitor known as “Echoes.” “Echoes” is an epic music if there ever was one. It goes on for 23 minutes. That’s the size of the half of 1 facet of a vinyl report! Perhaps that’s why “Echoes” doesn’t get a lot radio airplay.

15 years later, Andrew Loyd Webber releases what is probably the definitive musical of his profession: The Phantom of the Opera. The title monitor contains parts of progressive rock, the style Lloyd Webber delved into with Jesus Christ Superstar. Some really feel the musical’s title music takes affect from Pink Floyd, one of many bands which outlined progressive rock.

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“Echoes” by Pink Floyd

Roger Waters says Andrew Lloyd Webber is a plagiarist

Waters claims the music “The Phantom of the Opera” is derived from the riff of “Echoes.” he says he couldn’t imagine how related Lloyd Webber’s music was to “Echoes” when he first heard it. Although Waters seen a number of similarities between “The Phantom of the Opera” and “Echoes,” he determined suing Lloyd Webber was an excessive amount of if a problem.

He mentioned “It’s the same time signature—it’s 12/8—and it’s the same structure and it’s the same notes and it’s the same everything. Bastard. It probably is actionable…But I think that life’s too long to bother with suing Andrew f*cking Lloyd Webber.”

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The title monitor of Andrew Lloyd Webber’s The Phantom of the Opera

Aside from any alleged plagiarism, Waters isn’t even a fan of The Phantom of the Opera or Lloyd Webber usually. He mentioned he discovered Phantom unbelievably “mediocre.” He additionally mentioned he knew the music can be mediocre as a result of he noticed Lloyd Webber on tv and knew he was a mediocre musician simply by him!

Roger Waters writes a music attacking Andrew Lloyd Webber

Waters has been outspoken about his emotions towards Lloyd Webber in his music. He pulled no punches within the lyrics to his music “It’s a Miracle. In it, Rogers sings “It’s a miracle/We cower in our shelters/With our hands over our ears/Lloyd-Webber’s awful stuff/Runs for years and years and years.”

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“It’s a Miracle” by Roger Waters

The music goes on. In it, Rogers imagines an earthquake shaking a theater displaying one in every of Lloyd Webber’s musicals. Then, the lid of a piano comes crashing down on Lloyd Ebber’s hand and breaks his fingers. “It’s a miracle,” Rogers sings.

Lloyd Webber doesn’t appear to have commented on this concern. It’s as much as followers to determine if the 2 tracks are too related. Even if “The Phantom of the Opera” is just too near “Echoes,” it reveals Pink Floyd are very influential.

Also see: Did Pink Floyd Ever Have a Number-One Hit?

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