The ‘Verzuz’ Session For Bounty Killer vs. Beenie Man Made History, Is a Win for Jamaica

by Jeremy Spirogis
Bounty Killer Beenie Man

After the Verzuz bash on May 23 united Beenie Man and Bounty Killer, we’re prepared for the subsequent one.

Bring on Beres Hammond. Bring on Wayne Wonder. Bring on Buju Banton. Capleton, Sizzla, Lady Saw, and Super Cat can be welcome too, as a result of the Jamaican version of the celebration was a celebration like no different.

The digital home was filled with music followers from everywhere in the
world, and like different Verzuz
events
, attracted some large names in music. Rihanna, Diddy, Damian Marley,
Konshens, Sean Paul, Busta Rhymes, Missy Elliott, and Buju Banton have been only a
few of the celebs who tuned in for the present.

This was the primary one which introduced two artists collectively in the identical room, and although the viewers was unfold out in their very own properties, the power was magnetic.

Tears, smiles, and air horns dominated the evening, and rightfully so. Beenie Man and Bounty Killer killed it and made historical past. Big up!

Bounty Killer Beenie Man
Bounty Killer | Johnny Nunez/WireImage/Getty Images; Beenie Man | Shareif Ziyadat/FilmMagic/Getty Images

How the Bounty Killer vs. Beenie Man present was totally different

Peeeeee-ople useless! From the start, selectas Richie D and Kurt Riley set the tone by taking part in classics from Garnett Silk, Shinehead, Sanchez, Barrington Levy, and a number of different favorites.

The sound high quality was crisp, and vibes have been harking back to what you’d hear and really feel again within the day at Sunsplash, Sting, or any sound conflict at a venue in Brooklyn, Kingston, or Miami.

As an opener, the Jamaican nationwide anthem performed earlier than issues took off. Beenie Man and Bounty Killer shared the ground in a Verzuz first, however what made it so particular was these two deejays have come a good distance from their rivalry from the ‘90s. After a couple of stumbles and truces, they’re formally brothers.

As tunes from every artist blared from the audio system for this session, there have been moments once they grabbed the mic and chanted the lyrics reside.

Keeping that very same power, additionally they freestyled over a couple of riddims and cracked jokes. It is tough to think about that anybody listening at house was sitting nonetheless on a settee.

It was price it simply to listen to Bounty Killer’s distinct voice and to see Beenie Man’s animated dancing and that of his daughter, Desha. She made certain to hit the ground with throwbacks just like the Pepperseed.

Jamaican/Caribbean tradition was in full power and honored all the evening. To cap it off, sound system veteran Rory of Stone Love performed the afterparty.

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The songs will mild up your playlists

Going in, viewers had some songs in thoughts that they needed to listen to, and one among them was Bounty Killer’s “Look” on the Bug Riddim. It wasn’t the one hit that made everybody need to throw their lighters up.

“Stucky” (Bounty) and “Old Dog” (Beenie) took the gang again, however when “Hypocrite” got here on, it was one other scorching observe that invited previous recollections of each tune on the Showtime Riddim, together with Bounty Killer’s “Eagle and Di Hawk.” Aye! Aye!

Of course, some hip hop collaborations have been performed, reminiscent of “Deadly Zone” (Bounty and Mobb Deep), “Fresh From Yard” (Beenie and Lil Kim), and Hip-Hopera (Fugees and Bounty). Other dancehall classics within the rotation have been “Worthless Bwoy,” “Romie,” “Girls Dem Sugar,” and “Benz and Bimma.”

Fans reminded that hip-hop has roots in Jamaica

Swizz Beats and Timbaland partnered as much as create Verzuz, and with this specific installment, made some extent to remind of us that rap stems from Jamaica’s music scene.

Black Thought rapped in “Web” that “Kool Herc ain’t never get a royalty check” as a nod to the Jamaican DJ’s pioneering position in creating hip-hop in New York.

Back within the ‘70s, Kool Herc introduced the type of toasting from the island to the US.

In layman’s phrases, toasting is rhyming/chanting over a vocal-free beat—usually a dubplate—and together with trash discuss, jokes, or social commentary in what was usually a freestyle. It originated in Jamaica with greats reminiscent of U-Roy, I-Roy, and Dillinger.

Kool Herc parlayed the type and began producing break beats, which is the inspiration of early hip-hop. And that’s the reason Swizz Beatz is at all times emphasizing that Verzuz is academic.

The session with these two dancehall titans—Beenie Man and Bounty Killer—helped join some musical dots.

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