Every Led Zeppelin fan has their very own record of favourite Jimmy Page moments. While you’ll see his “Stairway to Heaven” solo hailed as rock’s best guitar work, Page’s catalog barely begins there.
Whether you favor the fervour and readability of “Ten Years Gone” or the layered brilliance of “Achilles Last Stand,” Page’s late Zeppelin work might surpass his high-wire assaults from the early albums.
For essentially the most full take a look at Page’s presents, followers can head straight to Zep’s double-album, Physical Graffiti (1975). On the primary facet (or the primary three tracks of a CD), you get a clinic in rock guitar, from the meaty “Custard Pie” riff to the manic slide on Page’s “In My Time of Dying” solos.
In between, you discover one other epic, distorted Zeppelin riff. But on this case, there’s little in the way in which of technical challenges; Page mentioned Physical Graffiti’s second observe hinges on pure swagger.
Page mentioned ‘The Rover’ is all about ‘guitar attitude swagger’
When taking a look at Physical Graffiti, it’s necessary to recall the album that got here simply earlier than. That was Houses of the Holy (1973), a document with a summery really feel (and even a reggae riff on “D’Yer Mak’er”). Fans of Zep’s heavy blues assaults might have been left wanting upon their first hear.
Clearly, Page wished to convey again the menace on Physical Graffiti. After “Custard Pie,” he dropped the music that relied utterly on his sinister guitar line. “The whole thing about ‘The Rover’ is the whole swagger of it, the whole guitar attitude swagger,” he informed Rolling Stone in 2015.
Page didn’t hesitate pointing to an early guitar hero who introduced the identical type of swagger he aimed for on “The Rover” and different tracks. “I’m afraid I’ve got to say it, but it’s the sort of thing that is so apparent when you hear ‘Rumble’ by Link Wray,” he mentioned. “It’s just total attitude, isn’t it?”
Indeed, that 1958 Wray single — with a observe referred to as “Swag” on its B-side –impressed the careers of numerous musicians. But not many got here up with riffs that matched the facility of Wray’s guitar traces.
Page mentioned he was most likely born with the type of angle on ‘The Rover’
Page, who at all times speaks humbly about himself in interviews, barely allowed himself any bragging rights some 40 years after the discharge of Physical Graffiti. However, he did acknowledge that he most likely got here out of the womb seeking to seize a guitar and do some swaggering.
“So that sort of [attitude] is sort of probably in my DNA, to be honest with you,” he informed Rolling Stone. Every Zeppelin fan — together with most rock followers — must agree with Page on that depend. He had an edge that’s not often been matched by guitar gamers.
Of course, Page solely thought-about his guitar enjoying to be one facet of his work in Led Zeppelin. If you test the credit, you discover practically each music credited to him as a composer (at the least partially). And, lest anybody overlook, he produced each Zep album, too. But he may swagger with the very best of ’em.
Also see: Why Led Zeppelin Broke Into ‘2 Distinct Camps’ by ‘In Through the Out Door’